Glen Weldon

We're recapping Season 7 of HBO's Game of Thrones here on Monkey See. We'll try to turn them around overnight, so look for them first thing on Mondays. And of course: Spoilers abound.

A supersized episode this week, 70! Glorious! Minutes! Of walking and bonding and mauling and wight-snatching and deus-ex-machining. It starts with the credits map, on which we once again scooch sideways from Castle Black over to Eastwatch, as so much of this week's action takes place just a hop, skip and a Gendry-jog north of it.

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AUDIE CORNISH, HOST:

The thing that makes actor Bruce Campbell a cult favorite has less to do with his output (which includes such cheeseball epics as Bubba Ho-Tep and Man with the Screaming Brain) and more to do with his input – that is, the quality he can be counted upon to bring to even the schlockiest table: It's an artisanal cocktail of Dad-joke corniness, jockish swagger, withering derision and a willingness – nay, a palpable need – to come off looking like a jerk.

The central plot mechanic that'll drive us to the end of this Game of Thrones season finally reveals itself: Jon needs to prove to ally and enemy alike that the White Walkers are both real and spectacular.

A new trailer offers a first taste of the second season of The Crown — coming to Netflix this December. And that taste is ... so veddy, veddy tasteful.

As one might imagine.

The first season was all about Elizabeth's first steps into the role of monarch, as she learned to navigate turbid political waters both public and private.

We're recapping Season 7 of HBO's Game of Thrones here on Monkey See. We'll try to turn them around overnight, so look for them first thing on Mondays. And of course: Spoilers abound.

Linda Holmes is in Los Angeles, NPR's Stephen Thompson and I are in D.C., and we're joined by the fantastic Brittany Luse of the highly recommended The Nod podcast, among a great deal of other things.

HBO's Insecure is one of those shows we were surprised to learn we haven't already devoted a segment to. Several of us gave its first season some shout-outs in our What's-Making-Us-Happy segments last year, but we haven't ever sat down to unpack it as a team. This episode, we correct that.

In April, musician Jonathan Coulton released Solid State, a sci-fi concept album that represented a significant departure — both from Coulton's wry, bright, tuneful back catalog and from any conventional understanding of what a sci-fi concept album sounds like. Gone, for the most part, were the stripped-down but aggressively catchy hooks, and the lyrics riffing on the foibles of digital culture, that Coulton's built a career on.

Linda Holmes hosts from Los Angeles, where she's still attending the Television Critics Association press tour. This week, she's joined by two regular panelists — me and NPR Music's Stephen Thompson — and in our fourth chair, PCHH's resident Poobah of Punching, Chris Klimek.

This episode: We talk Atomic Blonde, the spy thriller dripping with I Love the 80s style elements that's directed with a surprising amount of attention to the logistics of brawling — how it looks, how it feels, and how physically exhausting it is.

We're recapping Season 7 of HBO's Game of Thrones here on Monkey See. We'll try to turn them around overnight, so look for them first thing on Mondays. And of course: Spoilers abound.

Be honest: You were waiting for that two-shot. We all were.

The previews, the promos, they showed you Dany on the Dragonstone throne, they showed you Jon and Davos gazing up at it, and the only way this episode could have spent more time keeping them sep-a-rate-ed was if its director of photography were Dexter Holland.

Linda Holmes hosts from L.A. again, joining regular panelists Stephen Thompson, Glen Weldon and our fourth chair this week, Slate's own Aisha Harris.

The topic: Luc Besson's gleefully schlocky, years-in-the-making science fiction ... epic? ... Valerian and the City of a Thousand Planets.

June Foray is gone, leaving an absence, an ache, a cloud of whirling bobby pins in her wake.

The voice of many beloved animated characters, including the plucky Rocky the Flying Squirrel, the sinister spy Natasha Fatale, the tow-headed moppet Cindy-Lou Who and — most delightfully, to my mind — the girlishly ghoulish Witch Hazel, Foray died Thursday at the age of 99.

This week, our intrepid host Linda Holmes calls in from L.A., where she's attending the Television Critics' Association press tour, to host a discussion of the filthy, freewheeling and very, very funny Girls Trip. She's joined by regular panelist Stephen Thompson, Code Switch's Gene Demby, and special guest Aisha Harris from Slate.

The title of literary historian Bill Goldstein's book refers to a familiar quote from writer Willa Cather. In a 1936 essay, sensing that the literary landscape had shifted under her feet and that her own work was passing out of fashion, she lamented,"The world broke in two in 1922 or thereabouts."

She was referring to the appearance, in that year, of three towering works of modernism: James Joyce's Ulysses, T. S. Eliot's The Waste Land, and the English publication of the first volume of Marcel Proust's In Search of Lost Time.

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