Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

This week, now that more of you have had a chance to see it, we're finally getting around to talking about the critical and commercial success that is Wonder Woman. Petra Mayer of NPR Books joins us to talk about Diana, her island of fighters, her romance, the inevitable Great Big Ending, representation that does and doesn't exist in this movie, and more.

The 2016 Tony Awards were fun, but undeniably a little anticlimactic. By then, it was in large part a coronation of Hamilton, a delivery mechanism for the many, many awards we all knew it would win. (And did.)

This week's show combines two segments from our fall tour that we haven't had a chance to share yet, because we've been so busy dealing with new things from week to week. First, from our Seattle show with Audie Cornish, we talk about when you hang in with culture until the very end and when you quit — or, as you might say, throw a book across the room. (Glen has strong feelings about this.) Shonda Rhimes, how to watch Law & Order, and lots more will go by the window as you travel through this segment.

Award-winning writer Denis Johnson died Thursday at 67, according to his publisher, Farrar Straus and Giroux. The prolific writer explored many forms during his career, and in 2007, novelist Nathan Englander wrote about Johnson's short story collection Jesus' Son for NPR.

Because of a scheduling snafu this week, it's just me and Stephen Thompson sitting down with our sci-fi buddy Chris Klimek to talk about Alien: Covenant, the film that dares to ask: "Is it okay if I put this little thing in your ear? I promise it won't grow into something that will burst out of your chest."

Then, we move on to a visit with Selina Meyer and friends as another season of Veep finds the group out of office and loving it. Or ... not really loving it, more like tooth-grittingly enduring it until something else can be arranged.

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ARI SHAPIRO, HOST:

Now we're going to have the time of our lives.

(SOUNDBITE OF FILM, "DIRTY DANCING")

COLT PRATTES: (As Johnny Castle) What's your name?

ABIGAIL BRESLIN: (As Baby Houseman) Baby.

AUDIE CORNISH, HOST:

Oh, yes. Get out.

First, let me remind you: we've still got tickets to see us live in L.A. on June 15, where our fourth chair will be Shereen Marisol Meraji. We've got lots of good fun planned, since we figure everybody can use a night of good fun, so join us!

We've been known to enjoy a mix of the sublime and the ridiculous, and it's a week that's a little bit like that as we take on one of the best shows we've covered in a while and one of the most vexing movies.

You don't need me to tell you how much more television there is than there used to be, or how many more places you can find it. You don't need me to tell you that its population of creatively ambitious and idiosyncratic shows has grown enormously, as has its population of cheaply made UCSs – Undiscovered Channel Shows, where you learn that a show is entering its third season and only then do you realize that (1) it exists and (2) your byzantine cable menu actually does get that channel (although perhaps not in HD).

The first season of Master Of None, the thoughtful Netflix comedy starring Aziz Ansari and created by Ansari and Alan Yang, was one of the best pieces of comedy-drama to come out in 2015. Now, about a year and a half later, they're back with a second season that is even better, more ambitious, more creative and more moving than the first run was.

On this week's show, we have probably the biggest tonal difference between our first and second segments in our history, so stay with me.

The first thing comedian Chris Gethard says in his new special, Career Suicide, is that he started seeing his current psychiatrist in 2007, but only started dating the woman who's now his wife in 2012. His doctor — named Barb — is the framing device for an hour and a half of discussion about depression, anxiety, telling people you have depression and anxiety, and what it is that people need and ask from one another.

First up, let me mention this: one big piece of news out of this week's show is that we announced a live show at the Bell House in Brooklyn on June 6. Tickets will be on sale May 9, and we've been known to sell out pretty quickly sometimes, so be there at noon on Tuesday the 9th and grab your tickets!

Last year, the Tony Awards were swamped, particularly in the minds of many who only follow theater casually, by the phenomenon that was Hamilton. It got 16 nominations, it seemed like (and was) a lock to win many of them, and every other Tony story struggled to get a little bit of sunlight.

We're always excited for the beginning of summer movie season. Despite the fact that it's almost guaranteed to contain some major disappointments and jarring disasters, we often find goofy fun, sharp writing and new stars blowing up (sometimes literally) our cinematic seasons.

The first thing you may notice about Great News, a comedy premiering Tuesday night on NBC, is its similarities to 30 Rock. Here, a news producer named Katie (Briga Heelan) has her work life disrupted when her boss (Adam Campbell) hires her loving but overbearing mom (the great Andrea Martin, late of SCTV and truckloads of comedy since then) as an intern at the station. And while the focus is news rather than late night, the frustrated goofball at the center of a constantly careening television production has a familiar tone.

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