Linda Holmes

A while ago, I heard a rumor that Tamara Keith — NPR White House correspondent and a core member of the NPR Politics Podcast team — enjoyed ABC's Shark Tank. This information was filed under "HUH," where I keep many interesting tidbits.

It's no secret that movie theaters are trying to preserve the theatrical experience as something special — something you can't replicate, even in your tricked-out living room with your home theater system. Theater design is one of the ways they're trying to add value, as consultants and Shark Tank competitors might put it.

But at a recent screening of Blade Runner 2049, I experienced a technology that isn't new but was new to me, and with it, the need to make a plea that I never expected to make. Theaters, I beg you: don't manhandle my physical being.

"I hope he remains loyal. And if he doesn't, let me know, and I'll attack him."

Just as the original Will & Grace did in 1998, the new Will & Grace finds our two favorite roommates playing a party game. But while the original scene was more like $25,000 Pyramid ("Driftwood ... John Wayne ... your parents' marriage ..." "Things that are dead!"), this time, they're playing Celebrity — similar, but different. This time, it's a joke about Newt Gingrich looking like a lesbian, one about Melania Trump being a "rich hostage" (thus confused with Patty Hearst) and one about Caitlyn Jenner being hard to like.

[This examination of the season premiere of This Is Us discusses, in detail, everything that has happened on the show up to and including the season premiere, and it also includes what I promise is baseless speculation on my part about what might be coming in the future. — LH]

Law & Order, in some form, has been on the air since 1990. There were 20 seasons of the original series, we're on the 19th season of Law & Order: SVU, there were 10 seasons of Law & Order: Criminal Intent, and there was a season each of Law & Order: L.A. and Law & Order: Trial By Jury. The franchise fed the boom in police procedurals and made "chung-chung" (or "donk-donk" or whatever you choose to call its signature sound) as familiar as NBC's own "N-B-C" chimes.

On Tuesday morning, the first announcement went out that in Fall 2018 — only a year away! — Broadway performances will begin of Pretty Woman: The Musical. Prior to that, Chicago will host the world premiere run, beginning in the spring.

Sooooooooooooooooo if you've been wondering when one of Hollywood's most endearing-slash-problematic stories would make it to the stage, it's almost time!

Every year, summer gives way to fall, and in movie theaters, blockbusters give way to awards contenders. On this week's Pop Culture Happy Hour, film critic Bob Mondello of All Things Considered and I spoke with Tasha Robinson of The Verge and film writer Bilal Qureshi about some of what we all saw at the Toronto International Film Festival, which kicks off the fall movie season.

Pop Culture Happy Hour discussed Battle Of The Sexes on this week's episode. To hear the episode, click the play button.

In the story of Billie Jean King beating Bobby Riggs, told again in Battle Of The Sexes, it's often forgotten that she didn't particularly want to do it. In fact, she didn't do it until Riggs had badly beaten Margaret Court, who was one of the greatest players in women's tennis at the time.

Hallie Meyers-Shyer's first feature as a writer and director is Home Again, which stars Reese Witherspoon as a freshly separated woman who opens her home to three young filmmakers who need a place to stay. Meyers-Shyer is only 29, but her film lineage goes back decades. Her parents, Charles Shyer and Nancy Meyers (now divorced), worked together for years on films including Private Benjamin (1980), Baby Boom (1987) and the updated versions of Father Of The Bride (1991) and The Parent Trap (1998).

It's been a summer with a lot of good movies, to be quite honest. Wonder Woman, Dunkirk, Spider-Man: Homecoming, Girls Trip, The Big Sick. But you need a break from even the best movie binge, especially when some of them are ... you know, kind of sad and explode-y.

Long before Transparent, for which she's now Emmy-nominated for her work as Shelly Pfefferman, Judith Light was a soap star when soaps were a much bigger deal than they are now. Playing Karen Wolek on One Life To Live, she won two Daytime Emmys and became known for a devastating performance in a courtroom scene in which Karen was forced to acknowledge publicly that although she was married to a doctor, she was secretly also a sex worker.

This episode brings NPR Music editor Daoud Tyler-Ameen into the studio to talk with us about Dunkirk, the World War II film from The Dark Night and Inception director Christopher Nolan. Starring a big cast that includes Tom Hardy, Kenneth Branagh, and pop star Harry Styles, the film focuses on the drive for cornered men trapped on a beach to survive until they can be rescued.

This week's show took us, and our guest Audie Cornish, to two very different but very interesting places: high above the streets of New York City and deep inside the recesses of Andy Samberg's brain.

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